poetry by david henson
Sounds Misplaced
The dreamlatch is locked.
This is really happening.
We think seathunder was the first
to be misplaced. A sudden quiet
awoke folks living by the water.
Peering outside, they saw
waves crashing soundlessly
as the moonlight that bathed them.
That same night, surfpound
raised the landlocked from sleep.
That was the first time
the phenomenon was widely reported.
For all we know,
it long had been creeping.
Perhaps the first misplaced sound
was a backyard cricket, its legrubs
manifesting under a bed.
Or maybe an old man poked
a broom under his sofa and wondered
how a bullfrog got in his home
even though the croaker
was lilypadding in a distant pond.
Whenever it started, it’s commonplace now.
Jetroar rattles windows in farmhouses
far from airports.
Football chants leave stadiums hushed
and echocheer down hospital hallways.
We hear children jabbering in empty rooms,
happy birthday ringing out at funerals. . .
Sometimes results are tragic.
A silent tornado
slams a slumbering family,
the twister’s freight train
a hundred miles away.
Screams for help knife the night
on 58th but are heard only on 2nd.
Scientists claiming to find
fractals in the chaos
mimic TV meteorologists, display maps
with red arrows and blue swirls.
They forecast windhowl in supermarkets,
the crash of falls in the desert,
the bark of dogs in homes
of cat people. The predictions
are always wrong.
Academics circle in stacks,
researching a cause.
Journalists grin from articles
that practically write themselves.
Holy folk claim the misplaced sounds
are a punishment.
Or a blessing.
Or a test.
The government swears
its hands are clean.
Gamblers bet on what noise
will appear where—tirescreetch
in the bowling alley, lionroar
in the bank. New lotteries
fatten state coffers like calves.
The poor grow poorer.
Shamans offer normalcy
for a fee, but can we believe
those whose words evaporate at their lips?
Every day we hear something
where there should be nothing
and nothing where there should be something.
Panic attacks become common
as voices in the treetops.
As time passes, we realize
we must try to adapt,
that life goes on. We tell ourselves
our newborns will accept as usual
our bizarre. The thought comforts
yet we remain haunted:
When we whisper in a lover’s ear,
who hears? And where
will our dying words go?
David Henson and his wife have lived in Brussels and Hong Kong and now reside in Illinois. His work has been nominated for three Pushcart Prizes, Best of the Net and Best Small Fictions and has appeared in various journals including The Orchards Poetry Journal, Front Porch Review, The Lake, South Florida Poetry Review, Moonpark Review, and Gone Lawn. His website is http://writings217.wordpress.com. His Twitter is @annalou8.